What does it take to create a hand-tooled saddle, a pair of custom chaps, or the intricate leatherwork that has long defined Western craftsmanship? We sat down with Kari McCluey, one of Idaho’s master leatherworkers and a featured artist in Idaho Cowgirl Congress, a special pop-up exhibition opening next week at the Sun Valley Museum of Art. McCluey is among dozens of women artists, gearmakers, and traditional craftspeople from across the state gathering to share their skills, stories, and creative practices while celebrating, preserving, and reimagining the artistic traditions of the American West.

Known for her exceptional craftsmanship and vibrant, contemporary take on traditional leatherwork, McCluey creates everything from custom saddles and tack to wearable art and accessories. Her work is available through her business, 7 Devils Leather, and you can follow her on social media at @7devilsleather.

We caught up with Kari to learn how a self-made pair of chaps launched her career in leatherworking, what inspires the color and creativity that have become her signature, and what it means to be part of the community of artists and makers shaping the future of Western craft. Along the way, she shares the story behind her artwork for Idaho Cowgirl Congress and her perspective on what it means to be an Idaho cowgirl.

How did you first get started in leatherworking, and what drew you to the craft?

I have always been an artsy gal, and when I needed a pair of chaps, I decided to make my own. At the time, I worked at a saddle shop, so it wasn’t hard to do. I will say at the time, I was super proud of ol number 1's, and I still have them, they are hideous!!!! After that, I just kept on doing leather work for folks coming in the shop. 

You mentioned you are known for your chaps. What made you start creating / specializing in chaps?

As far as specializing in chaps, they are what I enjoy making the most so over time I just narrowed my focus. I still make tack on occasion but, chaps are my main focus. 

Much of Western gear has traditionally been functional and understated. What inspires you to bring color and whimsy into your work?

As I see it, functional doesn’t have to be understated. I pride myself on function and form, while seeing just how much fun I can bring to my pieces. Chaps should not only perform but, I believe they should reflect the wearer. That’s the inspiration. I have like a thousand crazy ideas floatin' around my head at any given moment, just waiting to get out. I suppose every time I make something, it's a chance to run with some of those ideas.  I also feel that everything I make, whether its chaps or a pencil drawing, it really is a piece of who I am. 

What do you hope people feel when they wear or experience one of your creations? 

I want them to be excited, to feel like the best version of themselves. 

What does it mean to you to be participating in the Idaho Cowgirl Congress alongside so many talented women artists and makers?

I love being part of the Idaho Cowgirl Congress. It means a lot to me to be part of a group with such neat ladies. I get a kick out of seeing everyone and it’s always a hoot.

You created the artwork for the Idaho Cowgirl Congress limited-edition poster and silk scarf. The artwork is filled with meaningful symbols and imagery. Can you walk us through the different elements and explain what they represent? Were there particular symbols, stories, or traditions you felt were important to include in the design, and why?

From the Appaloosa horse, to the cutthroat trout, mountain bluebird, monarch butterfly,  western white pine and syringa flowers, they all are part of our lovely Gem State, All things Idaho! Of course, I had to sneak a tater in there too, can you find it? Idaho is home, it’s part of what makes me who I am. I wanted to do something a little different than the typical stuff you see on a wild rag, and also speak to the qualities that make us gals of the Idaho Cowgirl Congress awesome. 

What advice would you give to young women interested in pursuing traditional crafts or Western art forms?

Do it!! I believe in following your passion. Strive to be the very best you can be in all things, and ALWAYS find your own unique style. 

This summer, SVMoA’s BIG IDEA project “From the Colour of Its Bloom” explores the landscapes and history of the nearby Camas Prairie. 

The exhibition will include a commissioned installation of photography-based works and wallpaper from New York-based artist Daniel Gordon, filling the Project Room gallery and immersing viewers in the prairie’s diverse ecosystems, varied textures and vibrant palette. 

This summer, SVMoA’s BIG IDEA project “From the Colour of Its Bloom” explores the landscapes and history of the nearby Camas Prairie. 

SVMoA has invited Portland-based artist MK Guth to lead a free flag-painting workshop for people of all ages. Participants will paint a small flag with their personal interpretation of the Camas Lily, and SVMoA will hang the community flags in their summer exhibition. We’ll be releasing details on how to participate soon!

This summer, SVMoA’s BIG IDEA project “From the Colour of Its Bloom” explores the landscapes and history of the nearby Camas Prairie. 

The exhibition will include a commissioned project by internationally-known photographer Anthony Hernandez, who divides his time between Los Angeles and Fairfield, Idaho. We’re looking forward to sharing his work made on the prairie in July!

This summer, as part of a BIG IDEA project exploring the landscapes and history of Idaho’s Camas Prairie, SVMoA has commissioned artist Sopheap Pich to create a large-scale sculpture celebrating the Camas Lily and its bulb, which has been an important food for the Shoshone and Bannock people for centuries.

Check out these photos of Sopheap’s sculpture in process. We’re looking forward to celebrating the installation of his Camas Lily sculpture this July!

The internationally famous modernist artist Joaquin Torres-Garcia ,whose work is featured in our spring BIG IDEA project, Free Play, was also a toy designer who marketed his toys under the brand name Aladdin Toys. Torres-Garcia taught drawing at a school in Barcelona in the 1910s, when he came to believe in the importance of play for child development and education.

Consisting of multiple parts that children can arrange into different groupings, his transformable wooden toys reflected his Constructivist aesthetic and also his belief in making toys that allow children to express their creativity while building knowledge. Visitors to Free Play can see original Torres-Garcia toys, and play with contemporary reproductions of his toys.

Our spring BIG IDEA project, Free Play, looks at open-ended play as an important tool for creativity, self-expression and building community. The project was inspired in part by the work of the internationally known sculptor and designer Isamu Noguchi. The Museum's Project Room gallery is filled with Noguchi's drawings and models for play equipment and play spaces, all borrowed from the Noguchi Museum in New York. 

One of the most compelling Noguchi works in Free Play is Play Mountain (1933, cast 1977), a model for an unrealized outdoor play space Noguchi designed for New York City.